Ultraviolet

Although the artwork in the opening credits would lead you to believe otherwise, writer/director Kurt Wimmer (EQUILIBRIUM) reportedly based ULTRAVIOLET not on a comic book but on John Cassavetess 1980 film GLORIA, in which a woman must protect a young boy who is carrying some information sought by the Mafia. In ULTRAVIOLETs mid-21st century, a virus has turned part of the earths population into hemophages, vampire-like creatures with heightened speed and dexterity, and a fascist government is intent on stamping them out. Enter Violet (Milla Jovovich), a hemophage determined to fight for her people. Her battle takes an unexpected turn, however, when she finds herself protecting Six (Cameron Bright), a mysterious young child who was raised in a lab. Tailor-made for young action fans raised on anime and videogames who want nothing more than to see a beautiful heroine leave a path of destruction behind her, ULTRAVIOLET cross-pollinates plot threads from popular franchises like THE MATRIX and UNDERWORLD. Creating a brightly hued, soft-focus environment constructed entirely with CGI and a green screen, ULTRAVIOLETs look is much like SKY CAPTAIN AND THE WORLD OF TOMORROW (2004). Cementing the reputation she established with similar athletic, minimally clothed roles in THE FIFTH ELEMENT and the RESIDENT EVIL films, Jovovich will go down in the books as a sci-fi femme fatale for the ages. Her Ultraviolet--who inexplicably changes her hair color and outfits seemingly at will--is a lethal melding of Morticia Adams at a rave and KILL BILLs Bride. Pulling off moves that clearly demonstrate the training she underwent for the role, and usually with a bare midriff, she gives her fans plenty to enjoy. Wimmer wisely leaves the door open for further adventures in the saga.